The music of Cristian Carrara doesn’t mix it to the words but inserts itself in the pause with measured and shiny interventions, far from psychopathy and deliriums of the protagonist, yet totally tuned in mysterious ways to what happens on stage. Carrara also carves out spaces for brief interventions in a mysterious language of two singers, maybe two tempting demons, maybe two angels carrying a mystical light in the world in which the hero is struggling. […] Acting and music are allied in an original way for create a new form of contemporary musical theater, tied up to the actuality, laced but of sour expressive effectiveness.

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